In 1967 Bob Dylan was living in Woodstock, a town in the Catskill Mountains, having recently bought a property in Byrdcliffe. It was there that he recuperated after his motorcycle crash. As the crash led to the cancellation of his 1967 tour, he was joined there by his backing band, then known as the Hawks…
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As musician and composer, playing Messiah is always one of the highlights of the Christmas season; I look forward to it every year. It is was in the middle of performing a 2018 production of Messiah that it occurred to me that for a work with such depth and popularity, there had never been a sequel, modern, or complementary work written to Messiah.
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On November 13, a new album of my music entitled Mysteria Fidei was released worldwide (though physical copies are already available on Innova Recordings’ website). The project is the fruit of a six-year collaboration between me and Far Song, a husband-and-wife art song duo from South Carolina. Featuring three sacred chamber works, Mysteria Fidei explores the notion of “searching amidst life’s many difficulties—searching for understanding, searching for rescue, searching for hope, searching for fulfillment, searching for joy, searching for God.” Along the way, it deconstructs hymns spanning nearly two millennia and recontextualizes them within our polarized, fear-stricken, and increasingly isolated 21st-century milieu.
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This month’s Composer in the Spotlight series is Dr. Sungji Hong. An award- Korean composer now living in the US, Sungji teaches composition at the University of North Texas. Commissioned by the Fromm Music Foundation (USA), the National Flute Association (USA), the Texas Flute Association, the Tongyoung International Music Festival (Korea), the Seoul Philharmonic Orchestra (Korea), the Keumho Asiana Cultural Foundation (Korea), the International Isang Yun Music Society (Germany) and the MATA Festival (USA), Sungji’s music reflects an intelligent, playful exploration of timbre.
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