In legend, Saint Sylvester is the saint who converted emperor Constantine, and he is celebrated on the last day of the year by western churches (eastern churches celebrate him on the 2nd of January). Typical celebrations for this feast feature a Watchnight service or midnight mass. While I get the idea that this feast is quite celebratory, again, there is little music to be found to celebrate this by art music composers. However, I found this excellent Irish early music singer named Caitriona O’Leary who has a carol whose subject matter is Saint Sylvester (she also has one on the feast day of St Stephen, too).
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A unique feature of music is the way one sustained sound can sit underneath other harmonies layered on top of it. This concept is prevalent across genres: American jazz standards, Celtic bagpipe music, Bach’s Preludes and Fugues. In musical terms, this steady sound that sits underneath others is called a “pedal tone” (or “pedal point,” but we’ll stick to pedal tone in this article.) It might be such a common musical device because it has such symbolic value for the world that we live in. This way of sounds interacting illustrates how humans interact with each other, the rest of God’s creation, and God too. The pedal tone is an apt metaphor to describe what is going on today – Rev. Dr. Martin Luther King, Jr. Day – in a country contending with its foundational racism. The pedal tone can remind us of God’s intentions for this gift of a world we inhabit.
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